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Poems

Composing poems continues to be my way of having a conversation with living. I’m honored and thrilled to share these published poems with you, and hope the resonances you find in them support your own journey of creativity.

The mail has ceased to find me; I am at large_in this landscape.jpg

TRAVEL GUIDE

The mail has ceased

to find me; I am at large

 

in this landscape. Dissolving

here in the spacedark,

 

this incessant surf of stars and rocks,

not holding my breath before

 

the next magnetic wave takes

me, breathes into my mouth do not stay,

 

heaves and plunges me so my body

scrapes against dust that was once sand-

 

moored stones to know only the body

is limited. There are modes of travel

 

which begin with your back

to the horizon, sweeping out until

 

the shore slips under this sea; you can only hear

what sound like gulls, squalling for a place to land.

(Co-Winner, Space2Create Poetry & Art Competition)

Scanning the far shore of the lake, I se

DEMARCATION

Third grade, beside the water fountain.

A boy kissed me

for the first time, then spat ugly

girls smell like old sandwiches.

Lucky to have learned

that certain slant of love,

the metal scent of doing without.

 

High school graduation, basement couch.

A girl kissed me

for the first time, then exhaled

me like the spittled soot

from an enemy’s cigarette.

Lucky to have crushed the sear

of pleasure, a chrysalis under my boot.

 

I live alone in the woods where smoke

slips between pines, trails the syntax of rocks

and stumps. I think about what can be told,

that we ask words to hold so much shadow.

The lake is a green mirror that teems

with clouds. Scanning the far shore,

I see a fish leap into a brushstroke of sun,

then return to what it knows

the others have made without solitude.

(Selected by Richie Hofmann as Runner-Up, Fifth Annual Sewanee Review Poetry Competition; published in The Sewanee Review, Fall 2023)

SKY, FENCE, FIELDS_edited.jpg

SKY, FENCE, FIELDS

He’d used his life well, mostly low to the crops.

Would leave no trace, as Lao Tzu said in the book

he carried, frayed in the pocket of his last flannel shirt.

He stood lone in the field, smoothing the soft

cord overalls he’d always planted in, all the trowels

and hoes given away to Great Maude Gates,

who still stood 6’2 at 101,

and just last week helped him mend

chicken wire fence at the edge of the lettuce rows.

Old Jed Barker’d come around to collect

the tin coffee pot, frying pan and a few odd pieces of silverware.

The shed out back was falling down anyway,

would soon be just a pile of rattler runs in corn dust.

Nope, he thought, don’t need to leave behind a thing,

staring out into the folds of corn

where for a moment he thought he saw

his own hand brushing down the silk,

or beckoning him to walk farther out

than he’d ever thought a farm could go.

(Published in Ontario Review, No. 48, Spring/Summer 1998)

create image for this poem _It is true i

AVRIL, ILE SAINT-LOUIS
–for Jack Gilbert

It is true it is all about light here.

That blonde drape of midday

suspended in the courtyard,

the way the hem of noon

uncreased across the simple table,

set for two and unattended

as if waiting

for the cool stucco walls

to loose their scrim of calcimine

and flush ochre, each fold of plaster

releasing a new sweep of light,

so you could see there is no surface

which cannot be transformed,

that the sudden slant of the door

opening into the sun

is the way a real life could be lived here,

a limen over which you could step,

abide in the land

that has no word for home.

(Published in Chelsea 63, 1997)

make an image for this poem _This is the

FOSS HILL

This is the slope which stands for all

of winter: that January afternoon

 

of sledding runs, a new pink snow-suit,

grown-ups smoothing down the snow

 

into angels. From the top of the hill

she felt she could soar to the town’s

 

very edge, just before it slid

into the Connecticut river, gliding

 

over puffed white lawns, insistent

green of firs, the glazed granite

 

in Pine Street cemetery–

but this was more a careen

 

than a soar, that swishing of metal

runner sharpened on hidden ice

 

no way to brake, calling daddy to save

her and he did, breaking the sled’s

 

shot across his chest, daughter

falling hard against his face, the crack

 

of his nose, father’s blood on the snow,

the most perfect red she’d ever seen.

(from: On the Verge, Plinth Books, 1997)

The late Thomas Lux, poet, and former Director of
the MFA in Writing Program, Sarah Lawrence College

“An outstanding poet whose work is both original and accessible.”
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